Salome is a multidisciplinary artist expressing a bold visual language drawn from Lagos, Salvador de Bahia, and London—cities where she has lived and worked. Currently based in London, her work encompasses painting, printmaking, illustration, and performance.

Salome's education and professional life has significantly influenced her artistic perspective. She completed her undergraduate studies in Law at the London School of Economics and Political Science, followed by over a decade of legal practice. This experience deeply influenced her visual language, prompting her to explore themes of play, spontaneity, memory, and movement. These explorations were often responses to her demanding career in corporate law, where she would capture fleeting moments to draw during lunch breaks or commutes.

Her initial ventures into abstraction and monoprinting began with ‘Mono-dusk’ and ‘Mono-dawn,’ where only one of each print exists. Following these initial works, Salome honed her skills through various courses and programs, including time at The Art Academy in London, and two years dedicated to printmaking in Japanese woodcut and screen printing.

Salome's ongoing fascination with archives and memory is primarily expressed through painting and printmaking. Her recent series, "The Long Way Home" (2022), features oil paintings and photographic screen prints inspired by cherished family photographs. This series represents a poignant shift from her typically bold colour palette to more subdued tones, a deliberate choice influenced by the loss of her father in 2021. These muted colours capture the essence of memories reconstructed from inherited photographs.

Through her art Salome explores the intersection between law and art aiming to connect them as well as expose their disconnections.

contact: connect@salomecoker.com


Education

The London School of Economics and Political Science

Law (LLB) - 2009

Exhibitions

Eye Candy, Rabbet Gallery, (London UK) 2024

Nature, Celebration, Movement (solo), a private art commission by Slaughter and May (London, UK) 2024

Saluting Our Sisters, a group showcase by PwC, (London, UK) 2023

Unity Unveiled, CMS in collaboration with Columbia Threadneedle and Franklin Templeton, Canon Place (London, UK) 2023

Annual Exhibition, New English Art Club (NEAC), Mall Galleries, (London, UK) 2022

Silkscreen Sensations, Gerald Moore Gallery, (London, UK) 2021

Art Studio, a public showcase by Westfield Stratford City, (London, UK) 2020

Slaughter and May, 2024

“You are greeted by themes of nature, celebration and movement in the trio of paintings by Salome Coker: The Archer, The Bird, The Gardener.

In their setting at our offices, the paintings are arranged to encourage flow and movement through the space, but also invite the view to linger and contemplate. The paintings compliment our fixed installation of sculptures Big Vessel (David Nash OBE RA) carved from a single Welsh oak tree blown down in a storm, and Two Charred Forms (David Nash OBE RA). Through their dialogue, the invite us to consider our relationship with our natural and constructed environments, how were are impacted by them and how we impact on them. ”

Annual Exhibition, New English Art Club (NEAC), Mall Galleries 2022

“Every year at our Annual Exhibition, we exhibit the very best in figurative, observational and painterly work in the UK. It's a wonderful showcase of paintings, drawings, and prints from our elected members alongside work by emerging artists chosen from the open entry.

Historically, the New English Art Club was founded by a group of artists dissatisfied with the entrenched attitudes of the Royal Academy. They mounted their first show in 1886 including paintings by Clausen, Sickert and Stanhope Forbes. The club increasingly attracted younger artists, bringing with them the influence of Impressionism and Post-Impressionism. Many diverse styles of art have developed since its founding, adding richness and variety.”

“The Long Way Home" (2022), was selected in the open selection for the NEAC’s Annual Exhibition 2022.